Download Ebook Storyboarding Essentials: SCAD Creative Essentials (How to Translate Your Story to the Screen for Film, TV, and Other Media), by David Harland Rousseau Benjamin Reid Phillips
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Storyboarding Essentials: SCAD Creative Essentials (How to Translate Your Story to the Screen for Film, TV, and Other Media), by David Harland Rousseau Benjamin Reid Phillips
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About the Author
BENJAMIN REID PHILLIPS has been teaching drawing, storyboarding, and sequential art courses at SCAD since 2004. He is also a sequential artist and illustrator whose work has been featured in the Cartoon Art Museum's Monsters of Webcomics series. He won the Georgia College Press Association's Best Editorial Feature for his District serial, Dr. Dead. Phillips has also worked on Devil's Due comic edition of FOX's hit TV series, Family Guy.DAVID HARLAND ROUSSEAU has taught drawing and design courses at SCAD since 2005. He is an entrepreneur, author, award-winning illustrator, graphic designer, actor, and former video journalist and news reporter. In 2008, he was named to the Business Report and Journal's "40 Under 40" list, and is the recipient of a Silver ADDY Award. He has also written Savannah Tavern Tales and Pub Review and Savannah Ghosts: Haunts of the Hostess City, illustrated by Julie Collins.
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Excerpt. © Reprinted by permission. All rights reserved.
Regardless of genre or discipline, storyboards share a language that reflects the jargon and terminology employed by industries born out of the filmed visual narrative. They connect written word to final cut; they concern themselves with what the camera “sees” (framing height, camera angle, and movement); they use standard and recognized formats (aspect ratios); and they even employ similar organizational systems (numbering). While the cinematographer relies on instinct and experience, a good storyboard artist will develop a strong understanding of camera angles and framing heights to help the director achieve his or her vision.
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Product details
Series: SCAD Creative Essentials
Paperback: 192 pages
Publisher: Watson-Guptill (June 25, 2013)
Language: English
ISBN-10: 0770436943
ISBN-13: 978-0770436940
Product Dimensions:
8.5 x 0.6 x 10.9 inches
Shipping Weight: 1.8 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
33 customer reviews
Amazon Best Sellers Rank:
#127,539 in Books (See Top 100 in Books)
I've read a few books on storyboarding, this is by far the most fun, not only cause it's up to date. But its just fresh and fun to read.some books can be very dry and professional. this book was done in a way thats as fun as reading a comic. used the show not tell set of mind. as in instead of going on some long lengthy paragraph it will just plan show you what they mean. lots of pictures and examples in this book. the book done with a younger audience in mind.I mean just look at who did it. I sure they have years of experience to make the material interesting and I got to say this book pulls it off very well.theres also a lot of great interviews to read and you get to learn from different experiences.this book made me with I was able to go to the school. looking forward to other books by them
I'm currently employed in the industry as a designer for tv animation but wanted to sharpen up my board skills with this book, but its basically useless. It contains the very very basics of boarding ie reminders about continuity and not breaking the 180 rule and things like how to read a script, but all of the sample work they show is clearly by students and has huge problems (clarity, composition, detail level, camera placement, tangents, tone, posing, acting, etc.) that wouldn't fly in a professional environment, its ridiculous to use them as an example to follow. All the accurate information is so basic you can google it. I think this is a course requirement for a class at SCAD so if you gotta buy it you gotta buy it, but if you're learning on your own definitely skip this one.
This is AWESOME. I've been reading and rereading this to get a handle on how to do storyboarding on my own as almost a precursor for creating comics and hopefully short films in the future. I can't wait to use the techniques and advice I've read in this book.
Great reference for storyboarding. I especially enjoyed the discussion of camera shots. I purchased the book vis-a-vis comic creation and the "shot" sections have giving me reason to pause and rethink how panels/frames are designed.
This is a very useful book. It not only covers storyboarding it self, but talks of camera angles, composition and other production. It's just what my students needed to gain some solid background in the video production class. Recommended.
Granddaughter found this useful.
bought this as a gift for my friend who is going to school for storyboarding. She loved it!
Helpful for understanding fundamentals of storyboarding.
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